Updated: Jul 30, 2019
By Kosarupa dasi (Kosa Ely)
The Benjamin Franklin Award is the one I wanted our children’s picture book, The Jaguar’s Story, to win the most. In its 32nd year, this prestigious award is regarded as one of the highest national honors for both traditional and independent publishers, recognizing excellence in book editorial and design. As the publisher-author, in my mind it had the same weight as winning an Oscar, an Emmy, or a Grammy.
During the months leading to the announcement, The Jaguar’s Story won First Place and Book of the Year in three other national and international contests, and our book trailer took First Place too.
When I received the email that we were Benjamin Franklin finalists for Children’s Picture Book of the Year, I was overwhelmed with emotion. The next day I received another email. The Jaguar’s Story was also a Benjamin Franklin finalist for Design. Woo-hoo! Sharing this news with artist Radhe Gendron, and graphic artists Govinda Cordua and Raghu-nandini Consbruck was the best part for me. Without these three artists this book would still be a text file. Radhe brought the story to life through her stunning illustrations, and Govinda and Raghu with their design.
So we knew for sure we had won two Benjamin Franklin Silver awards. But would we win the Gold? We wouldn’t know until the Awards banquet in Chicago.
A little back story:
Switching from producing a new devotional story to an eco story was a calculated choice. If the illustrator and I could make a name for ourselves in the highly competitive children’s book marketplace, then our devotional books would have a stronger chance of being noticed and respected. And if I kept a similar theme to my previous book, The Peaceable Forest, India’s Tale of Kindness to Animals—the two books could be sold as a set, boosting recognition and sales for both.
The Jaguar’s Story is an eco book that pulls on the heartstrings of the reader, confronting them with the plight of wildlife and the future of the rainforest because of man’s choices and carelessness. It’s heavy subject matter for a children’s picture book, and I was told I shouldn’t do it. So I dug in my heels, more determined than ever. Having worked with Indigenous communities and nonprofits in the Amazon rainforest for more than a decade, I knew too much. The exploitation of the forests, people and wildlife, primarily due to cattle ranching and mining, continues to escalate. But who’s talking about it? Creating this book could potentially reach a wide audience and influence a generation of children.